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Understanding Illuminated Manuscripts: A Guide to Technical Terms ("^ALooking at" Series) First Edition
There is a newer edition of this item:
- ISBN-100892362170
- ISBN-13978-0892362172
- EditionFirst Edition
- PublisherJ. Paul Getty Museum
- Publication dateJuly 28, 1994
- LanguageEnglish
- Dimensions6.25 x 0.5 x 9.25 inches
- Print length128 pages
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Product details
- Publisher : J. Paul Getty Museum; First Edition (July 28, 1994)
- Language : English
- Paperback : 128 pages
- ISBN-10 : 0892362170
- ISBN-13 : 978-0892362172
- Item Weight : 12 ounces
- Dimensions : 6.25 x 0.5 x 9.25 inches
- Best Sellers Rank: #2,063,666 in Books (See Top 100 in Books)
- #1,039 in Calligraphy Guides
- #3,352 in Collections, Catalogs & Exhibitions
- #8,086 in Arts & Photography Criticism
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About the authors
I am Author Michelle Brown i love writing my book i wrote called This girl's life:Being the child of a war veteran It's a memoir about a little girl survival in the home of her war veteran dad who beat and tortured her for years. And she was afraid to tell anyone because her dad had threatened to kill her. So she kept quiet for years and the beatings never stop the reason i wrote about the abuse is because it kept giving me nightmares. And i didn't know how to stop them other than to release the anger in me and i realized that i needed to stop being a victim and become a survivor. So now i am on a quest to help other survivors out there to over come there fear.When someone is abusing you they have control over you.You have to release that control and take back your life.It was hard for me but i did it and i am proud of myself and you can do it to.
Michelle P. Brown FSA is Professor Emerita of Medieval Manuscript Studies at SAS, University of London, and is a Visiting Professor at University College London. She was formerly the Curator of Illuminated Manuscripts and Medieval Manuscripts at the British Library. She specialises in cultural history and materiality from the late Roman period to c.1500, in medieval art history and manuscript studies and in the local history of Cornwall. She is a Lay Canon of Truro Cathedral and was formerly a Chapter Member and Lay Canon of St Paul's Cathedral, London. She is also interested in social justice and in art and spirituality.
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This is one of the most beautiful books about illuminated manuscripts I know. The layout of the entries, the explanatory notes, and the many (mostly) color illustrations make this book a very handy and synoptic handbook.
Because the editor planned an edition of rather moderate dimensions, some sacrifices had to be made. The rather important production of illuminated manuscripts by the Islamic world and far east countries like China and Japan are not included. I even wonder if they should have been included because the technical terms are more than sufficiently illustrated by the West-European examples. After all this is not an art history-book with an exhaustive intellectual content.
Everyone with an interest in the Middle-Ages of western Europe should have this book in his library. A lot of technical terms provide also some insight in medieval society. I would like to give an example. An excerpt from the notes for the entry 'Breviary': "...From the eleventh century on, the various volumes used during the Divine Office (psalter, antiphonal, lectionary, martyrology, and others) were combined to form the breviary which was initially only used by monks but was popularized - in a slightly abridged form - by the Dominicans and Franciscans in the 13th century...."
It's beautiful, it's interesting. What more can I say?
I was hoping the book would be a breakdown of manuscripts by their parts in a more educational formats, but alas, that is not the case. This book is for you if you have the technical terms presented to you and you are needing the definition.
That said, it's got great information and wonderful illumination examples inside. I'll be keeping the book anyway.
It is this variety which makes the book suitable for reading cover to cover. You never know what you don't know, or what may be relevant. I'm sure there are books which cover these three subjects individually. I was expecting that the book would cover the symbology and heraldry of the illustrations, but I welcome the others.
If you have NO books on illuminated manuscripts, then I suggest this one. If you have lots already, this one may be too shallow. It is certainly a good "first book" on the subject.
The book is a thin, sturdy, paperback Getty book first printed in 1994. It is arranged like a dictionary and has tiny color reproductions that are well-chosen, lovely examples of dictionary entries. A calligrapher, I find the book quite useful. Entries include writing and illuminating, liturgical, and Western (not Hebrew or Islamic) cultural terms. Examples, unfortunately, are too tiny for me to copy.
Great for understanding the differences between an historiated initial and an inhabited initial - or between an antiphonal and a gradual.
Most of the representative images are in color and are well chosen to illustrate the definitions. Perhaps their only drawback is their small size due to the size limitations of the book itself.
A great companion while reading to "Medieval Illuminators & their Methods of Work" by Jonathan J.G. ALexander or "A History of Illuminated Manuscripts" by Christopher De Hamel.