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Grief Lessons: Four Plays by Euripides (New York Review Books Classics) Paperback – September 16, 2008
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Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. “Euripides,” the classicist Bernard Knox has written, “was born never to live in peace with himself and to prevent the rest of mankind from doing so.” His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless–women and children, slaves and barbarians–for whom tragedy was not so much exceptional as unending. Euripides’ plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides’ latest tragedies.
Four of those tragedies are presented here in new translations by the contemporary poet and classicist Anne Carson. They are Herakles, in which the hero swaggers home to destroy his own family; Hekabe, set after the Trojan War, in which Hektor’s widow takes vengeance on her Greek captors; Hippolytos, about love and the horror of love; and the strange tragic-comedy fable Alkestis, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: “Tragedy: A Curious Art Form” and “Why I Wrote Two Plays About Phaidra.”
- Print length312 pages
- LanguageEnglish
- PublisherNYRB Classics
- Publication dateSeptember 16, 2008
- Dimensions5.39 x 0.65 x 7.96 inches
- ISBN-101590172531
- ISBN-13978-1590172537
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Editorial Reviews
Review
"In Grief Lessons, the contemporary poet and classicist Anne Carson's spare and beautiful new translation of four of Euripides' lesser known tragedies, we have a kind of primer on the intrinsic dangers of blind devotion to ideology." -The New Yorker
"An eclectic selection that provides an excellent introduction to Euripides's range. Ms. Carson's Euripides is bleak, moving, and provocative, offering a painful reminder of the resonance of these ancient plays with our own times." -The New York Sun
"Grief Lessons...reminds us that the difference between competent and inspired translation is more than a matter of even bravura technical competence. It involves a kind of discreet union between writer and translator, a certain convergence of aesthetic impulse and intellectual inclination. The issue of such a union can take a reader's breath away because it just seems so right--a work that stands firmly on its own but is somehow contented to be the sum of its parts. Carson's is, in other words, an altogether worthy heir...It's a reasonable and reasonably provocative contemporary reading." -The Los Angeles Times
"Writing with a pitch and heat that gets to the heart of the unforgiving classical world, Carson..is nothing less than brilliant--unfalteringly sharp in diction, audacious and judicious in taking liberties...Worth the price of admission alone is Carson's blistering essay afterword, written in Euripides's voice...This amazing book gets very close to the playwright's enigmatic answers." -Publishers Weekly*
About the Author
Anne Carson was twice a finalist for the National Book Critics Circle Award; was honored with the 1996 Lannan Award and the 1997 Pushcart Prize, both for poetry; and was named a MacArthur Fellow in 2000. In 2001 she received the T. S. Eliot Prize for Poetry (the first woman to do so), the Griffin Poetry Prize, and the Los Angeles Times Book Prize. She currently teaches at the University of Michigan.
Product details
- Publisher : NYRB Classics; Main edition (September 16, 2008)
- Language : English
- Paperback : 312 pages
- ISBN-10 : 1590172531
- ISBN-13 : 978-1590172537
- Item Weight : 2.31 pounds
- Dimensions : 5.39 x 0.65 x 7.96 inches
- Best Sellers Rank: #171,917 in Books (See Top 100 in Books)
- #38 in Tragic Dramas & Plays
- #55 in Ancient & Classical Dramas & Plays
- #156 in Ancient & Classical Poetry
- Customer Reviews:
About the authors
Euripides (/jʊəˈrɪpᵻdiːz/ or /jɔːˈrɪpᵻdiːz/; Greek: Εὐριπίδης; Ancient Greek: [eu̯.riː.pí.dɛːs]) (c. 480 – 406 BC) was a tragedian of classical Athens. He is one of the few whose plays have survived, with the others being Aeschylus, Sophocles, and potentially Euphorion. Some ancient scholars attributed 95 plays to him but according to the Suda it was 92 at most. Of these, 18 or 19 have survived more or less complete (there has been debate about his authorship of Rhesus, largely on stylistic grounds) and there are also fragments, some substantial, of most of the other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly due to mere chance and partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes and Menander.
Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. Yet he also became "the most tragic of poets",[nb 1] focusing on the inner lives and motives of his characters in a way previously unknown. He was "the creator of...that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "...imprisoned men and women destroy each other by the intensity of their loves and hates", and yet he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.
Bio from Wikipedia, the free encyclopedia.
Anne Carson was born in Canada and teaches ancient Greek for a living. Her awards and honors include the Lannan Award, the Pushcart Prize, the Griffin Trust Award for Excellence in Poetry, a Guggenheim fellowship, and the MacArthur “Genius” Award.
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"Aeschylus looked at the story of Agamemnon and saw a parable of human grandiosity and tragic katharsis, leading through bloodshed and strife to an eventual restoration of civilized order. Euripides looked at the same story and saw smeared makeup."
But I found it amazingly compelling and pertinent to our times, in which mental illness causes family murders then huge trauma and guilt, with the question of suicide to follow -- or the courage to carry on... It also shows the complexity of heroism, fame, fate, and friendship.
It took a little bit to get acclimatized to reading Greek drama, but it's much more accessible than some of the other more modern plays in terms of its structure and prose, and there's a few very powerful lines in the various plays about love, life, and loss that you'll likely find particularly striking to you personally. With four plays here in this book, you'll likely have your favorites. It was my first time reading these, and I happened to enjoy Hekabe the most given it's post Trojan War setting and theme of revenge.
One of the more hit and miss aspects of the New York Review Books lineup is its use of a more contemporary author to provide some context of the piece you're about to read. Most of the time I find that really useful which is why I prefer these editions. Here however, and I differ from many of the other reviewers, I found the Anne Carson introductions to the various essays to be both pompous and strange at the same time. I want you to explain to me a little of what I'm about to read, not show me how smart you think you are by making a long comparison to something else (I haven't read the piece so I don't know how apt a comparison you're making) or drop a bunch of other esoteric references so I know you're well read (I'm aware of that, you're writing the introductions, just please tell me about what I'm going to read). I just didn't find them to be helpful or particularly interesting, more "well that was weird, I guess I can read the play now" of an aftertaste in my mouth. So enjoy the plays and the well done translation, but feel free to skip the extra materials in this one!
Top reviews from other countries
Contents: beautifully translated plays. I really enjoy Anne Carson’s work. A must-read!