Lamassu: Did you mean...?

This is a pair of guardian figures (winged human-headed lions) that flanked one of the entrances into the throne room of Ashurnasirpal II (883-859 BCE). Stone mythological guardians, sculpted in relief or in the round, were often placed at...

This is one of a pair of colossal lamassus from the Palace of Sargon II at Khorsabad (in modern-day Nineveh Governorate, Iraq). Both of them are on display at the Assyrian Gallery of the Iraq Museum in Baghdad. During the ransacking of the...

This colossal lamassu, one of a pair, was found at one of the north-west corridors of the North-West Palace of the Assyrian king Ashurnasirpal II (r. 884-859 BCE) at the city of Nimrud, Iraq. Created c. 883-859 BCE. On display at the Iraq...

Lamassu (winged human-headed bulls possibly lamassu or shedu) from the citadel of Sargon II, Dur Sharrukin (now Khorsabad, Iraq), Neo-Assyrian, c. 720-705 B.C.E., gypseous alabaster, 4.20 x 4.36 x 0.97 m, excavated by P.-E. Botta 1843-44...

Shedu-Lamassu (meaning a male lamassu) from Tukulti-Ninurta's palace, c. 1225 BCE. Vorderasiatisches Museum (Pergamon Museum), Berlin

A close-up view of a winged human-headed lion, Lamassu, that flanked one of the entrances into the throne room of Ashurnasirpal II (883-859 BCE). Nimrud (ancient Kalhu), north-west palace, room B, door a, panel 2. Neo-Assyrian era, 883-859...

Apkallu and Lamassu from Nimrud, Mesopotamia, modern-day Iraq, 9th century BCE. They ward off evil spirits or demons and protect humans and their place of residence. The British Museum, London.

This small limestone lamassu (which is one of a pair) was found in the city of Nimrud (ancient Kalhu), Iraq. Neo-Assyrian period, 911-612 BCE. On display at the Iraq Museum in Baghdad, Republic of Iraq.

The gods of the Mesopotamian region were not uniform in name, power, provenance or status in the hierarchy. Mesopotamian culture varied from region to region and, because of this, Marduk should not be regarded as King of the Gods in the same...

Ancient Israelite art traditions are evident especially on stamps seals, ivories from Samaria, and carvings, each with motifs connecting it to more general artistic traditions throughout the Levant. Ancient Israel, and therefore its art...