An Archaeology and History of a Caribbean Sugar Plantation on Antigua (Florida Museum of Natural History: Ripley P. Bullen Series)

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Javíer Gordon
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submitted on 24 November 2024
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An Archaeology and History of a Caribbean Sugar Plantation on Antigua (Florida Museum of Natural History: Ripley P. Bullen Series)
Rating: ★ ★ ★ ★ ☆
Title: An Archaeology and History of a Caribbean Sugar Plantation on Antigua (Florida Museum of Natural History: Ripley P. Bullen Series)
Author: Georgia L. Fox
Audience: University
Difficulty: Easy
Publisher: University of Florida Press
Published: 2020
Pages: 336

Georgia L. Fox's An Archaeology and History of Caribbean Sugar Plantation on Antigua (2019) offers a meticulous and interdisciplinary exploration of Betty's Hope, which was one of Antigua's most prominent sugar plantations. This book is a significant contribution to Eastern Caribbean historical archaeology, providing insights into colonialism, slavery, and environmental change.

The book blends archaeology, archival research, and enviromental studies to examine the history and material culture of Betty's Hope, established in the 1650s by the Codrington family. Moreover, Fox alongside a team of scholars, analyzed and dissect various facet of plantation life, including envslaved labor, agricultural practices, and the plantation's ecological footprint.

On Caribbean plantations like Betty's Hope, sugar reigned supreme- its cultivation dictated the rhythms of life, drove economies, and forged an empire built on the backs of the enslaved.- Javíer Gordon

The chapters will provide readers with detailed archaeological investigations and findings at Betty's Hope that provides a window into the lives of enslaved Africans and the plantation's operational infrastructure. Furthermore, there are discussions over the exvstions of the windmill, cistern, production, equipment used and the lifestyle of enslaved laborers, revealing the ingenuity and resilience of the enslaved population despite oppressive conditions.

The book effectively conveys the idea that sugar was the driving force behind Caribbean colonialism, encapsulating the phrase “sugar was king.” Fox situates Betty’s Hope within the wider Atlantic world, where plantations served as profit-making machines for European empires. The book traces the commodification of human labor, with enslaved Africans reduced to mere cogs in the machinery of sugar production. This systemic exploitation enabled the accumulation of wealth in Europe while impoverishing and dehumanizing those who labored under its weight.

One of the book’s significant contributions lies in its nuanced portrayal of the enslaved. Through the analysis of material culture that gives an insight into how enslaved people faced the harsh reality life in the caribbean. While they had little control over their labor, enslaved individuals asserted agency in subtle but meaningful ways, such as in their foodways, religious practices, and community-building efforts. The recognition of these forms of resistance counters traditional narratives that depict enslaved populations as entirely subjugated.

The book highlights the devastating environmental consequences of sugar cultivation. The plantation’s reliance on monoculture exhausted Antigua’s soil, while the need for constant water supply led to the construction of elaborate cistern systems and windmills. The ecological legacy of this exploitation persists today, and the book offers a critical reflection on how colonial environmental practices continue to shape Caribbean landscapes.

The book extends its analysis beyond the past, emphasizing the importance of preserving plantation sites like Betty’s Hope. She discusses the challenges of conservation in the 21st century, where such sites are simultaneously spaces of historical memory and painful reminders of exploitation. The restoration of Betty’s Hope, including its iconic windmills, raises questions about whose histories are prioritized in heritage narratives and how these spaces can foster meaningful engagement with the past for citizens.

The book has a variety of strengths that makes it a very important publication on Antiguan history and archaeology. Fox’s ability to synthesize archaeology, history, and environmental science makes this book a standout contribution to Caribbean studies. The archaeological data is seamlessly integrated with historical records and enviromental investigations, providing a holistic understanding of plantation life. Secondly, by centering the experiences of the enslaved people, the book challenges Eurocentric interpretations of plantation history. The analysis of artifacts and settlement patterns paints a vivid picture of the enslaved community’s resilience and creativity. Finally, the book situates Betty’s Hope within the global dynamics of the transatlantic slave trade and sugar production. This perspective highlights the interconnectedness of colonial economies and underscores the Caribbean’s pivotal role in shaping the western world.

The only limitation I recognized was that the book provides an in-depth study of Betty’s Hope, however it could have benefited from a more explicit comparison with other Caribbean plantations. This would have strengthened its claims about the universality and uniqueness of plantation practices in Antigua.

An Archaeology and History of a Caribbean Sugar Plantation on Antigua is a groundbreaking work that offers a profound understanding of the Caribbean plantation complex. By integrating archaeological evidence, historical documents, and environmental studies, Georgia L. Fox and her collaborators provide a comprehensive view of Betty’s Hope as a microcosm of colonialism’s economic, social, and ecological impacts. This book is essential reading for scholars of Caribbean history, historical archaeology, and heritage studies.

Fox’s work not only spread light on the past but also invites critical reflection on how we remember and interpret sites of trauma and exploitation. It stands as a testament to the importance of interdisciplinary approaches in uncovering the complex legacies of the Caribbean’s colonial history.

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About the Reviewer

Javíer Gordon
Currently the Registrar at the National Gallery of Jamaica. Currently, responsible for the registering cataloguing, exhibition and maintenance of all works art of Jamaica’s National Collection. Moreover, my field of interests includes Archaeology&am
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