Search Results: Libation Bearers

The play Libation Bearers was written by one of the greatest of all Greek tragedians Aeschylus (c. 525-455 BCE). Winning first prize at the Dionysia competition in 458 BCE, Libation Bearers was the second play in the trilogy The Oresteia...

Greek tragedy was a popular and influential form of drama performed in theatres across ancient Greece from the late 6th century BCE. The most famous playwrights of the genre were Aeschylus, Sophocles, and Euripides and many of their works...

Aeschylus (c. 525 - c. 456 BCE) was one of the great writers of Greek Tragedy in 5th century BCE Classical Athens. Known as 'the father of tragedy', the playwright wrote up to 90 plays, winning with half of them at the great Athenian festivals...

Electra is a play written by the 5th-century BCE Greek tragedian Sophocles. Similar to Aeschylus' Libation Bearers, Electra focuses on the return of Electra's brother Orestes from exile and the plot to murder their mother. Years earlier...

The Eumenides is a play written by Aeschylus (c 525 – 455 BCE), the “Father of Greek Tragedy,” the most popular and influential of all tragedians of his era. The Eumenides was the third play of a trilogy, The Oresteia, with the remaining...

The play Agamemnon was written by one of the greatest Greek tragedians Aeschylus (c. 525 – 455 BCE), “Father of Greek Tragedy.” Older than both Sophocles and Euripides, he was the most popular and influential of all tragedians of his era...

Greek literature has influenced not only its Roman neighbors to the west but also countless generations across the European continent. Greek writers are responsible for the introduction of such genres as poetry, tragedy, comedy, and western...

Greek theatre began in the 6th century BCE in Athens with the performance of tragedy plays at religious festivals. These, in turn, inspired the genre of Greek comedy plays. The two types of Greek drama would be hugely popular and performances...

The Governor of Upper Egypt dedicated this bowl to the goddess Hathor and Mut, both named in the inscriptions. The front displays Hathor's face. The bowl was presented by the kneeling figure of Montuemhat, but only traces of his hands survives...

This alabaster bas-relief is part of a long tributary scene, where the Assyrian king, Sargon II (not shown here), stands majestically, waiting to receive the tribute from Urartu (modern-day Armenia). The man on the right is in front of...