Search Results: Mesopotamian Naru Literature

Mesopotamian Naru Literature was a literary genre, first appearing around the 2nd millennium BCE, which featured a famous person (usually a king) from history as the main character in a story that most often concerned humanity's relationship...

Originality in literary compositions in the ancient world did not carry the same weight and value as it does today. In recent centuries, authors have been applauded for the creation of original works and have been derided for plagiarism or...

Ancient Mesopotamian literature developed c. 2600 BCE after scribes, who had formerly been record keepers, began composing original works in the region of Sumer. The Sumerians invented writing c. 3500 BCE, refined the script c. 3200 BCE...

The literary genre of Mesopotamian Naru Literature first appeared in the region around the second millennium BCE and the stories not only became very popular, but seemed to replace the actual historical events in the minds of the people...

The Legend of Cutha (also known as the Cutha Legend and Kutha Legend) is a fictional work dated to the 2nd millennium BCE belonging to the genre known as Mesopotamian Naru literature. It features the Akkadian king Naram-Sin (r. 2261-2224...

The Legend of Sargon of Akkad (c. 2300 BCE) is an Akkadian work from Mesopotamia understood as the autobiography of Sargon of Akkad (Sargon the Great, r. 2334-2279 BCE), founder of the Akkadian Empire. The earliest copy is dated to the 7th...

Ancient Egyptian literature comprises a wide array of narrative and poetic forms including inscriptions on tombs, stele, obelisks, and temples; myths, stories, and legends; religious writings; philosophical works; wisdom literature; autobiographies...

Literature (from the Latin Littera meaning 'letters' and referring to an acquaintance with the written word) is the written work of a specific culture, sub-culture, religion, philosophy or the study of such written work which may appear in...

Persian literature differs from the common definition of “literature” in that it is not confined to lyrical compositions, to poetry or imaginative prose, because the central elements of these appear, to greater or lesser degrees, in all the...

Unlike the rich corpus of ancient Egyptian funerary texts, no such “guidebooks” from Mesopotamia detail the afterlife and the soul's fate after death. Instead, ancient Mesopotamian views of the afterlife must be pieced together from a variety...