Search Results: Piero della Francesca

Piero della Francesca (c. 1420-1492 CE) was an Italian Renaissance artist whose paintings and frescoes are characterised by their solid figures, bright colours, and harmonious composition. His masterpieces include the painted panel the Flagellation...

Fresco by the Italian Renaissance master Piero della Francesca, painted around 1463-65 CE. (Pinacoteca of Borgo San Sepulcro, Italy)

A tempora portrait of Federico da Montefeltro, Duke of Urbino (l. 1422-82) by the Italian Renaissance artist Piero della Francesca (d. 1492). c. 1470. The portrait is famous for its (literally) "warts and all" realistic representation of...

The painted panel the Flagellation of Christ by the Italian Renaissance artist Piero della Francesca (c. 1420-1492 CE). c. 1455 CE. (National Gallery of Marche, Urbino)

A drawing by the Italian Renaissance artist Piero della Francesca (c. 1420-1492 CE) showing his theories of mathematical perspective applied to representing the human form. From De prospectiva pingendi.

A portrait of Battista Sforza (l. 1446-1472 CE), Duchess of Urbino, by the Italian Renaissance artist Piero della Francesca (d. 1492 CE). c. 1470 CE. (Uffizi, Florence)

Piero della Francesca: A collections of 87 Paintings (HD) Piero della Francesca Born: 1412 Died: 12 October 1492 Nationality: Italian Art Movement: Early Renaissance Field: painting, fresco Influenced on: Antonello da Messina, Leonardo...

The art of the Renaissance period in Europe (1400-1600 CE) includes some of the most recognisable and best-loved paintings and sculptures in the world. Masters were often skilled in both painting and sculpture, and by studying the art of...

Pietro Perugino (c. 1450-1523), real name Pietro di Cristoforo Vannucci, was an Italian Renaissance artist who created frescoes for the Vatican's Sistine Chapel and was in demand across Italy to decorate church interiors and produce portraits...

There were three principal painting techniques during the Renaissance: fresco, tempera, and oils. In all of these techniques, colour was an important part of the painter's armoury, allowing them to create images that would strike a chord...