Search Results: Thracian Art

The art produced by the people of Thrace, as indicated by the many precious objects found in Thracian tombs dating from the Bronze Age onwards, was, like the culture itself, a mix of indigenous ideas and foreign influences. Although it can...

Defining Thracian art is a difficult task due to the fact that what we call today Thrace was never a single unified state but, rather, a collection of many independent communities (or tribes) who formed both alliances and rivalries with each...

Miniature axe, decorated with protomes of a bull, griffin, and a deer. The blade is shaped as a stylised goat head. 8th-7th century BCE. Regional Museum of History - Stara Zagora. Photo: Nikolay Genov in catalogue of the exhibition Los...

A Thracian gold pectoral. From a king's tomb at Dalboki, Bulgaria. 500-400 BCE. (Ashmolean Museum, Oxford)

Roman mosaic panel depicting a Thraex, or Thracian (left) fighting a murmillo (right), dated to the 3rd century CE. Römerhalle, Bad Kreuznach, Germany.

Silver tetradrachm from Thrace, reign of Lysimachus, 323-281 BCE. O: Head of Alexander as Ammon-Zeus. R: Athena holding Nike.

Philip II of Macedon (359-336 BCE) envisaged a broad Macedonian kingdom and his colonial expansion resulted in the forging of an empire that his son Alexander the Great (r. 336-323 BCE) would use as a springboard for even greater things...

Art, along with language, is perhaps the best way to see the connections between the ancient peoples we label as Celts who lived in Iron Age Europe. There were great variations across time and space but common features of ancient Celtic art...

The revolt of the gladiator Spartacus in 73-71 BCE remains the most successful slave revolt in the history of Rome. The rebellion is known as the Third Servile War and was the last of three major slave revolts which Rome suppressed. The story...

The Romans controlled such a vast empire for so long a period that a summary of the art produced in that time can only be a brief and selective one. Perhaps, though, the greatest points of distinction for Roman art are its very diversity...