Images

Gypsum wall panel depicting two female musicians beside a palm tree. From the North Palace at Nineveh, Mesopotamia, modern-day Iraq. Neo-Assyrian Empire, reign of Ashurbanipal II, 660-650 BCE. Pergamon Museum, Berlin.

This is a fragment of a colored ceramic vessel depicting a jumping male goat. Neo-Assyrian Period, 8th to 7th century BCE. From Assur (Ashur; modern-day Qal'at Sherqat). (Pergamon Museum, Berlin, Germany)

This gypsum wall panel depicts two female courtiers in front of a table, on which the royal horse bridle has been placed. Neo-Assyrian Period, reign of Ashurbanipal II, 660-650 BCE. From the North Palace at Nineveh, Mesopotamia, modern-day...

This gypsum wall panel depicts a procession of Assyrian courtiers and eunuchs carrying the King's throne; only the anterior part of the decorated throne's pole survives. This scene represents a remarkable development in the Assyrian art as...

This fragmented alabaster bas-relief depicts an Assyrian Apkallu, a protective spirit or genie. The striking features are that he is bare-headed (he does not wear a horned helmet or diadem) and his four wings, all of them, appear en face...

This is a fragment of an ivory cylinder. The original decorative insets are lost. Neo-Assyrian Period, 8th century BCE. From Fort Shalmaneser at Nimrud, Mesopotamia, modern-day Iraq. A loan from the Metropolitan Museum of Art, New York, USA...

Alabaster bas-relief, depicting a standing human-headed genie or sage, from the North-West Palace of Ashurnasirpal II at Nimrud, Mesopotamia, modern-day Iraq. Neo-Assyrian Empire, 9th century BCE. Apkallu, a protective spirit, protects...

This clay tablet was illegally excavated. The precise provenance of the excavation is unknown, but probably from Southern Mesopotamia, modern-day Iraq. It is currently housed in the Sulaymaniyah Museum, Iraqi Kurdistan.

This clay tablet was illegally excavated. The precise provenance of the excavation is unknown, but probably from Southern Mesopotamia, modern-day Iraq. It is currently housed in the Sulaymaniyah Museum, Iraqi Kurdistan.

This clay tablet was illegally excavated. The precise provenance of the excavation is unknown, but probably from Southern Mesopotamia, modern-day Iraq. It is currently housed in the Sulaymaniyah Museum, Iraqi Kurdistan.