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Head of Ashurnasirpal II
Image by Osama Shukir Muhammed Amin

Head of Ashurnasirpal II

A fragment from a wall relief that depicts the head of the Assyrian King Ashurnasirpal II. Neo-Assyrian era, 865-860 BCE. From the North-West palace at Nimrud (ancient Kalhu; Biblical calah), Mesopotamia, Iraq.(The British Museum, London).
Statue of the god Kidudu
Image by Osama Shukir Muhammed Amin

Statue of the god Kidudu

The cuneiform inscriptions on this basalt statue mention that this is the god Kidudu, the guardian of the walls of Ashur city. It was erected by King Shalmaneser III. Neo-Assyrian era, 835 BCE. From Ashur, Mesopotamia, Iraq. (The British...
Chinese Ceramic Dog
Image by Wikipedia User: Rosemania

Chinese Ceramic Dog

Green-glazed ceramic dog, Eastern Han Dynasty, 25-220 CE. Palace Museum, Beijing, China.
Dog Mosaic
Image by Wikipedia User: WolfgangReiger

Dog Mosaic

A floor mosaic from Pompeii depicting a guard dog. (1st century CE)
Chaplet from Tomb at Ur
Image by Metropolitan Museum of Art

Chaplet from Tomb at Ur

2900-2350 BCE. Chaplet that decorated the forehead of the one of the king's attendants, who would have been buried with the king. Found in cemetery at Ur by Sir Leonard Woolley, 1920-1930 CE. Metropolitan Museum of Art, New York
Mesopotamian Male Worshiper Votive Figure
Image by Makthorpe

Mesopotamian Male Worshiper Votive Figure

Mesopotamian male worshiper votive figure, from Eshnunna, Mesopotamia (modern-day Tell Asmar), 2750-2600 BCE. Metropolitan Museum of Art, New York.
Ishtar
Image by Fae

Ishtar

Goddess Ishtar, Mesopotamia, Babylonian, c. 2000 BCE, Terracotta. The Phil Berg Collection, Los Angeles County Museum of Art (LACMA).
Odysseus and the Sirens (NAM, Athens, 1130)
Image by James Lloyd

Odysseus and the Sirens (NAM, Athens, 1130)

NAM, Athens, 1130. Late 6th century BCE. This lekythos (perfume vessel) depicts the story of Odyssey, 12, where Odysseus is tied to his ship's mast in order to hear the music of the sirens, but to be restrained from straying into their danger...
Marsyas, detail from NAM, Athens, 215.
Image by James Lloyd

Marsyas, detail from NAM, Athens, 215.

Detail of Marsyas from NAM, Athens, 215. The bearded satyr can be seen in a state of movement as he plays his auloi, the spread of his fingers is preserved by the left hand, and presumably corresponds to the finger-holes of the instrument
Apollo, detail from NAM, Athens, 215.
Image by James Lloyd

Apollo, detail from NAM, Athens, 215.

Detail of Apollo from NAM, Athens, 215. He is seated on a tree stump, wearing chlamys and chiton, and sandals. In his left hand he rests his seven string lyre (the stings would have been painted; the number of tuning pegs gives their frequency...
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