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Mummy of Amenirdis
The mummy of Armenirdis, late XXII-XXV Dynasty (800-664 BCE), Thebes. (The Vatican Museums, Rome).
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Belvedere Apollo
The Belvedere Apollo statue considered to be a 2nd century CE copy of a bronze statue of the 4th century BCE by Leochares. The god would have once held a bow in his left hand. (The Vatican Museums, Rome).
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Laocoon
Laocoon was a Trojan hero who during the Trojan war tried to warn his compatriots against accepting the gift of the Trojan Horse. However, Athena and Poseidon, who supported the Greeks, sent two gigantic sea snakes to destroy Laocoon. This...
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Indra
A 19th century CE print depicting the major Hindu deity Indra riding his white elephant Airāvata and carrying a chisel, sword and thunderbolt indicating his role as king of the gods and bringer of beneficent rain. (British Museum, London).
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Xipe Totec
Xipe Totec was the Mesoamerican god of spring and patron of planting, seeds and goldsmiths and particularly worshipped by the Aztecs. Human sacrifices were made to the god and the skins of the victims worn in imitation of the process of regeneration...
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Detail, Arch of Janus, Rome
A detail of the carved niches on the Arch of Janus which stood in the forum Boarium of Rome and was constructed in the 4th century CE most probably to act as a boundary marker.
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Arch of Janus
The Arch of Janus in the forum Boarium of Rome, constructed in the 4th century CE. The four-way marble arch probably acted as a boundary marker and, perhaps not coincidentally, stands directly over the Great Drain or Cloaca Maxima which fed...
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Geometric Pottery Designs
A detail of a 7th century BCE amphora displaying the common design motifs of the Geometric style of Greek pottery. The style was in use from 900 to 600 BCE in the Greek world and involved decorating vessels with simple linear motifs and stylised...
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Dolphin Decorated Pithoi, Akrotiri
A large storage pithoi decorated with dolphins and lilies, 17th century BCE, Akrotiri. (Museum of Prehistoric Thera, Santorini).
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Papyrus Fresco, Akrotiri
The Papyrus Fresco from the Room of the Ladies from the house of the same name, Akrotiri, Thera. Papyrus is not indigineous to Thera and therefore suggests that the Cycladic artists were borrowing iconography from elsewhere, perhaps Egypt...