Images

Nganasan shaman. Krasnoyarsk Regional Museum, Russia.

A face re-creation of the roman general Mark Antony (l. 83-30 BCE), inspired by a fine grained yellow marble bust dating to the Flavian period (69-96 CE).

A face re-creation based on, the Bust of Cleopatra VII (l. c. 69-30 BCE, r. 51-30 BCE), that is a granite bust currently on display in the Gallery of Ancient Egypt at the Royal Ontario Museum. It is believed to have been discovered in Alexandria...

An 1831 painting by Paul Delaroche showing Oliver Cromwell (1599-1658) examining the dead body of King Charles I of England (r. 1625-1649) after the English Civil War (1642-51). (Hamburger Kunsthalle, Grmany)

A 17th-century visual manual on how to load and fire a musket.

Scythian gold appliqués. Treasure Gallery, Altes Museum, Berlin.

A 19th-century painting by Andrew Carrick Gow depicting Oliver Cromwell at the head of the New Model Army at the battle of Dunbar in Scotland in September 1650 during the English Civil Wars (1642-51). (Tate Collection, Lonodon)

An example of the breastplate armour typically worn by infantry and some cavalry in the early stages of the English Civil War (1642-51). (Ludlow Museum, Shropshire, England)

A re-enactment of a charge by pikemen as was seen at such engagements as the 1648 Battle of Maidstone during the English Civil War (1642-51). The event was 'Military Odyssey' in Kent in 2011.

Two members of the Sealed Knot demonstrate matchlock firing as used by musketeers, for example, during the English Civil War (1642-51). The priming charge has fired but not yet the main charge. At Fernhurst Furnace, West Sussex, England.