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Hathor was not only a powerful goddess but also one of the most popular in ancient Egypt and it’s not surprising since she was the goddess of love, fertility, beauty, pleasure, music, dancing, and was also the protector of women and women’s health and childbirth. She was a complex goddess with many responsibilities and associations and her name, meaning ‘the house of Horus', places her in an important position as mother or consort of Horus the falcon god.
Hathor was an incredibly popular goddess and was also known as the patroness of foreign regions, the mistress of drunkenness, of song and of myrrh, as a solar sky goddess, a goddess important in the afterlife and a goddess closely associated with the god Ra. Her main centre of worship was at the temple at Dendera (although she was worshipped widely throughout Egypt), and unlike most other deities who only had priests/priestesses of the same gender as the deity, both men and women worked in the name of Hathor.
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— CHAPTERS —
0:00 Introduction
0:37 Travel to Ancient Greece
1:12 The Egyptian Goddess Hathor
3:13 The Worship of Hathor
4:41 The Book of the Heavenly Cow
7:08 Outro
— WANT TO KNOW MORE? —
Hathor https://www.worldhistory.org/Hathor/
Ancient Egyptian Mythology https://www.worldhistory.org/Egyptian_Mythology/
The Five Gifts of Hathor: Gratitude in Ancient Egypt https://www.worldhistory.org/article/58/the-five-gifts-of-hathor-gratitude-in-ancient-egyp/
Book of the Heavenly Cow https://www.worldhistory.org/Book_of_the_Heavenly_Cow/
Festivals in Ancient Egypt https://www.worldhistory.org/article/1032/festivals-in-ancient-egypt/
Egyptian Gods - the Complete List https://www.worldhistory.org/article/885/egyptian-gods—the-complete-list/
Ancient Egyptian Religion https://www.worldhistory.org/Egyptian_Religion/
— WATCH NEXT —
Ancient Egyptian Dance and Music https://www.youtube.com/watch?v=WDCMAXBQlXM
The History of Astronomy in the Ancient World https://www.youtube.com/watch?v=2G9zxv5g08c
Set the Egyptian God of Chaos, Storms and War https://www.youtube.com/watch?v=ZlS-oRQN_vU
The Role and Lives of Women in Ancient Egypt https://www.youtube.com/watch?v=l7y7glgLbhU
Hatshepsut: the Forgotten Woman who was a King of Egypt https://www.youtube.com/watch?v=-qw-_IHkKoI
— ATTRIBUTIONS —
You can find all attribution and credits for images, animations, graphics and music here - https://worldhistory.typehut.com/hathor-the-egyptian-goddess-of-love-beauty-and-pleasure-images-and-attributions-9804
The music used in this recording is the intellectual copyright of Michael Levy, a prolific composer for the recreated lyres of antiquity, and used with the creator's permission. Michael Levy's music is available to stream at all the major digital music platforms. Find out more on:
https://www.ancientlyre.com
https://open.spotify.com/artist/7Dx2vFEg8DmOJ5YCRm4A5v?si=emacIH9CRieFNGXRUyJ9
https://www.youtube.com/channel/UCJ1X6F7lGMEadnNETSzTv8A
— THUMBNAIL IMAGE —
https://commons.wikimedia.org/wiki/File:Bookofthedead-185186.jpg) / http://projects.vassar.edu/bookofthedead/
The Land / The British Museum
Public Domain / faithful reproductions of two-dimensional public domain works of art are public domain - https://en.wikipedia.org/wiki/Public_domain
https://www.metmuseum.org/art/collection/search/551039?ao=on&showOnly=openAccess&ft=hathor&offset=40&rpp=40&pos=70
The Metropolitan Museum of Art
Open Access - https://www.metmuseum.org/about-the-met/policies-and-documents/open-access
CC0 - https://creativecommons.org/publicdomain/zero/1.0/deed.en
World History Encyclopedia
www.worldhistory.org
#hathor #hathorgoddess #egyptianmythology
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About the Author
Kelly is a graduate from Monash University who has completed her BA (Honours) in Ancient History and Archaeology, focussing on iconography and status in Pylos burials. She has a passion for mythology and the Aegean Bronze Age.
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Original video by Kelly Macquire. Embedded by Kelly Macquire, published on 05 June 2022. Please check the original source(s) for copyright information. Please note that content linked from this page may have different licensing terms.
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